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Although unaware of Adele's personal predicament, he composed the opening piano sequence and first few lines to what became the lovelorn ballad "Turning Tables": "Close enough to start a war/All that I have is on the floor." Coincidentally, it perfectly captured the experience of the singer, who arrived at the studio moments after another altercation with her former lover.
Angry and unfocused, she denounced her ex-lover's tendency to "turn the tables" on her during their arguments, an expression that Tedder decided to reference in the song's lyrics.
The album topped the charts in more than 30 countries and became the world's best-selling album of the year for 20.
In the United Kingdom, it is the best-selling album of the 21st century and fourth best-selling album of all time, while its 23-week tenure atop the UK Albums Chart is the longest by a female solo artist.
Composed in the aftermath of the singer's separation from her partner, the album typifies the near dormant tradition of the confessional singer-songwriter in its exploration of heartbreak, self-examination, and forgiveness.
Adele recorded the demo with Jim Abbiss the following day.
Adele and Tedder arranged a second meeting and reconvened at Serenity West Studios in Los Angeles weeks later to write and record "Rumour Has It." In an interview, Tedder recalled his astonishment at the singer's musicality and vocal prowess after she completed the main vocals to the song in 10 minutes: "She sang it once top to bottom, pitch perfect, she didn't miss a note.
However, studio sessions ended prematurely due to a lack of inspiration.
She resumed production immediately after the breakdown of her relationship, channelling her heartbreak and depression into her songs.